Mundi Spiritus

 

Heaven and Hell are not separate dimensions or alternate worlds in a geographic sense. Instead, they exist as different manifestations of the same reality. It is the events, experiences, behaviours, and overall tone or vibration of a place and it’s people that determine whether it is perceived as heavenly or hellish. As these factors intensify, the physical environment itself may shift, mutating to reflect the nature of Heaven or Hell.

Before the Christian framework introduced a strict dichotomy between higher and lower realms, pagan traditions held a more integrated understanding of these forces. In this worldview, Heaven and Hell were not distinctly separate but interwoven. Some entities leaned more toward the hellish, others more toward the heavenly, yet all retained qualities of both - alongside unique attributes that reflected their true nature or elemental essence. This understanding gave rise to the concept of the Otherworlds. These are not different planes of existence in a spatial sense but rather exist as frequencies of reality. Their dynamic is not based on a hierarchy of higher and lower but on their orientation to the mundane world. The mundane world exists alongside multiple Otherworlds, each with distinct qualities, just as its inhabitants possess unique traits.

A closely related concept is what Sufi mystics call the Magical Universe. This is a state of being in which external events synchronize with one’s internal state, creating both stability and ascension. In this flow state, cause and effect align seamlessly, and the universe reflects back one’s inner beauty in a way that feels magical. Carl Jung explored a similar idea through his study of synchronicity, while the Mayans understood deja vu as the convergence of timestreams. This ties into their concept of the Sixth Age, which, as far as can be understood, represents the integration of the Celtic Otherworlds with the mundane world - a process that mirrors the Sufi vision of the Magical Universe.

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The structure of the helix of Creation is determined by frequency and rhythm, which together generate a harmonic. In this dynamic, rhythm forms the helix, while the harmonic manifests as tone. The helix itself is a complex texture, composed of multiple elements operating in convergent rhythms - cyclical patterns that can be quantified mathematically. Conceptually, this can be visualised as a sonic waveform, where its textural quality is akin to a soundbite that symbolises the greater helix or configuration. However, this representation exists across a broader spectrum beyond the limits of human auditory perception. The restricted bandwidth of sound serves as a microcosmic symbol for the larger dimensional macrocosm. Oscillations are a distillation as the configuration processes through its cycles.

This perspective aligns with a Piscean understanding - one that perceives the harmonic unity of the whole and recognises the interplay of rhythms as the very texture of the helix.